So maybe this is just a type of counterpoint, maybe not... maybe some of you will know what I'm talking about.
Here's an example. He does it at 2:33, 2:53, and 3:06. If you didn't listen or don't get what I'm pointing out: the cuts or drops in instrumentation to switch to a percussive or melodic riff, a sample, or just silence that oftenmost occur during the A part, or "drop". It's gratuitously done in trap with that robot girl "ai" sample.
I'm curious about how y'all like to use or implement flips or reversals like this (I'm hoping there's a more "official" term someone can enlighten of). They're incredibly common in electronic music, especially that which falls in the future umbrella, and I totally suck at em.
Post your favorite methods (both in instrumentation and workflow), tips, tricks, examples... whatever!
Submitted August 05, 2017 at 01:07AM by nlax76 https://www.reddit.com/r/edmproduction/comments/6rpqjh/theory_and_technique_behind_reversalsflipscutsetc/?utm_source=ifttt